By Mark S. Reinhart
President Lincoln is the main usually portrayed American historic determine within the historical past of the movie and tv arts, having been featured in approximately three hundred productions because the delivery of the movie medium. during this paintings, entries disguise each one movie, documentary and tv portrayal of Lincoln, supplying crucial solid, creation and unlock details, and a dialogue of every work's ancient accuracy and creative advantages. This up to date version presents statement on all new motion pictures produced lately, in addition to dozens of prior motion pictures, corresponding to The competition, Abraham Lincoln (1924) and Lincoln (1929), that weren't lined within the unique version.
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Additional info for Abraham Lincoln on Screen: Fictional and Documentary Portrayals on Film and Television, 2d ed.
Other Cast: Walker Edmiston (Mark Twain), Brock Peters (Henry), Andrew Prine, Charles Bloom, Michael Bennett, David Chambers, William Kezele, Chay LeSeur, Beverly Rowland, Oscar Rowland, Michael Rudd. Executive Producer: Charles E. Sellier, Jr. Director: Jack B. Hively. Story: Tom Chapman. Teleplay: Malvin Wald, Jack Jacobs. Photography: Stephen W. Gray. Music Theme: Bob Summers. Music: Andrew Belling. Editor: Trevor Jolly. Production Designer: Paul Staheli. Makeup: Dennis Marsh. Executive in Charge of Production: James L.
It should be pointed out that though the ﬁlm version of Abe Lincoln in Illinois makes no attempt to inform its viewers of the historical liberties it takes, Sherwood did attempt to separate the fact from the ﬁction in his play when it was originally published. He included a lengthy section of supplementary notes after the play titled “The Substance of Abe Lincoln in Illinois” in which he explained which scenes were solely based on historical fact, and which scenes were fabricated. But with or without historical clariﬁcation, Sherwood’s dra- Abe Lincoln in Illinois (1964) matic license in both the stage and screen versions of Abe Lincoln in Illinois is troubling, because it is used to mischaracterize Lincoln and many of the people who were close to him.
The 1964 version of Abe had no such luxury — the production was ﬁlmed on noticeably cramped sound stages which undoubtedly limited the number and scope of the sets that could be used. Simply put, Abe Lincoln in Illinois probably had no choice but to closely follow Sherwood’s original work, because the only way to stage the production on the modest resources offered it was to present it with the economy of a live stage play. Very likely the two earlier television productions of Abe were similar to the 1964 version in this regard—after all, they were produced when television was in its infancy, and even the simplest broadcast posed substantial technical challenges.