By John Parker, Richard Rathbone
This Very brief advent appears at Africa's earlier and displays at the altering methods it's been imagined and represented, either in Africa and past. the writer illustrates vital features of Africa's background with a variety of interesting historic examples, drawn from over five millennia throughout this colossal continent. The multitude of issues that the reader will find out about during this succinct paintings comprise the team spirit and variety of African cultures, slavery, faith, colonial conquest, the diaspora, and the significance of background in figuring out modern Africa. The e-book examines questions resembling: Who invented the belief of "Africa"? How is African heritage pieced jointly, given this sort of loss of documentary facts? How did Africa engage with the realm 1,000 years ago?
Africa has been referred to as 'the cradle of mankind', and its recoverable historical past stretches again to the Pharaohs. however the concept of learning African background is itself new, and the authors exhibit why it truly is nonetheless contested and arguable. This VSI, the 1st concise paintings of its style, will turn out crucial examining for someone drawn to the African continent and the variety of human history.
A rather well educated and sharply said historiography... could be in each historiography student's kitbag. A travel de force... it made me imagine very much. Terence Ranger, The Bulletin of the college of Oriental and African reports you'll end this publication higher educated, with a greater knowing of Africa and a clearer proposal of the questions. Robert Giddings, Tribune This small ebook is a great and stimulating essay exploring problems with historical past, resources and strategies, Africa on the planet, colonialism and postcolonialism, and the previous within the current as a way of introducing scholars and others to educational pondering African heritage. Tom Spear, magazine of African historical past
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Extra resources for African History: A Very Short Introduction (Very Short Introductions)
These range from innumerable examples of indigenous belief systems to those like Islam and Christianity, so-called world religions. The latter also come in a variety of forms, some of which constitute distinctive African contributions to the history of those beliefs. There are numerous examples of African innovation in the realm of world religions. Many of them, like the Muslim Murid brotherhood, whose origins lie in early 20th-century Senegal, or the Aladura churches of southwestern Nigeria, have now taken root in the cities of Europe and North America.
Perhaps the most striking inversion of European conceptions of Africa was that of négritude. A literary movement founded in Paris in the 1930s by French-speaking African and West Indian intellectuals, négritude sought to refute the imperialist racial divide between civilized Europe and primitive Africa by demonstrating the latter’s rich cultural heritage. In doing so, however, it clung to the idea of difference, emphasizing the particular attributes of a homogenous ‘African people’. In this respect, négritude can be contrasted with the ﬁner-grained historical and ethnographic writings of earlier anglophone West African scholars such as the Rev.
In many cases, new identities were invented or old ones reimagined by a combination of colonial intervention and indigenous agency. Lee Cronk’s study of the Mukogodo people of Kenya shows how this group of hunting-gathering (and bee-keeping) people came in the course of the ﬁrst half of the 20th century to abandon their self-identity as Mukogodo in favour of identifying themselves as Maasai. The catalyst in this process was the reservation by the British colonial state of some of the most fertile lands of highland Kenya for the use of white settlers.