By Leonard Unger, Jay Parini
One of the 18 authors within the "Supplement" are Paul Auster, Robert Olen Butler, Peter Cameron, John Knowles, J.D. McClatchy, Ann Patchett and others.
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Additional info for American Writers: Supplement XII
Perilli, Paul. ” Poets and Writers 21, no. 2:28–33 (March–April 1993). —JULIE SEARS Paul Auster 1947– P as does his 1998 film, Lulu on the Bridge (also starring Keitel and Mira Sorvino), which Auster wrote and directed. Auster’s novel The Music of Chance (1990) was adapted for the screen in 1993 and starred James Spader and Mandy Patinkin as the ill-fated protagonists Pozzi and Nashe. In his essays, which range from autobiography to critical examinations of the French symbolists, Auster has been honest to the point of confession about his upbringing in the New York suburbs of the 1950s and 1960s.
In the course of watching the man, however, Blue surrenders to the ennui of his life (Black does nothing more than sit at a table and read Henry David Thoreau’s Walden) and begins to create stories about the man in his written reports to White. ” The breakdown of communication becomes more profound, until Blue realizes that he knows so much about Black that he does not need to write anymore: in essence Blue and Black, not unlike Stillman and Quinn in the previous novella, have become the same character.
Anna recognizes that “the facts are not reversible. ” That realization reinforces the chaos of the situation; if Anna’s predicament were as tidy as a mathematical formula, she would have little trouble reversing the actions that got her there in the first place. The dissipation of society into nothingness, however, does not follow any rules of nature that Anna knows. ” The intrusions, acting as they do as signposts signaling section breaks and shifts in narrative direction, give some semblance of coherence to a story that otherwise has little internal cohesiveness.