Download And Loving It (Get Smart, Book 6) by William Johnston PDF

By William Johnston

Max's latest—and possibly greatest—case. simply think Max and ninety nine scuffling with the paralyzing, petrifying powers of Guro Optimo, a mind-manipulating, Indian hypnotist and his cruel grasp, fortunate Bucky Buckley!

To retailer the realm from falling below Optimo's sinister spell, Max and ninety nine crew up with—of all people—a Kaos agent named V.T. Brattleboro. incredible issues ensue to the Control-Kaos blend within Buckley's evil medieval fortress. they're menaced by means of brain-washed guards, titanic crocodiles, and a tremendous avalanche of peanut brittle!

But can Max fairly belief Brattleboro? Or Brattleboro belief Max? and will ninety nine belief both one—especially Max?

The leader of keep an eye on is certain that this time Max is in over his head. yet he needn't fear, for optimum doesn't have a worried bone in his physique or his head. As regularly, he's ill-prepared for threat of any kind—AND LOVING IT!

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Extra info for And Loving It (Get Smart, Book 6)

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54 In 1935, drinking and driving on the wrong side of the highway, he got into an automobile accident in which three people died. 55 conclusion Eddie Cantor, the star of Berkeley’s first Hollywood project, never became as identified with the movies as did Berkeley. 56 Promoting his next film after Whoopee, Cantor endorsed quintessentially generic Wonder Bread. Even as he reached out to the general public, his popularity in the movies lagged within a few years, although he remained a radio star with a national following through the 1940s.

The producers also made an earnest effort to make the movies more friendly to New York–based performers by opening up studios, such as the one run by Paramount in Astoria, Queens, right across the river from the east side of Manhattan. A Broadway performer like Cantor could shoot a film in Queens, hop in a taxi, and be back on Broadway for the evening performance. Sound Comes In, Vaudeville and Silents Go Out 17 The aura of Broadway figured prominently in the early talkies. Many of the movies used the device of the backstage musical to frame the plot.

It brought representatives of the large movie companies together in an effort to generate good will and to protect against threats to the industry’s autonomy. In a Republican era, the institution of the trade association had a respectable Republican pedigree. None other than Herbert Hoover, the Secretary of Commerce with a reputation for supercompetence, championed the idea. Hoover saw it as a means of stabilizing chaotic industries subject to cycles of boom and bust and of improving industrial performance.

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