By Stacey Abbott
First aired in 2001, Alias is a undercover agent drama with a imperative motion heroine, a posh narrative of ethical twists, turns, lies and double-crosses, and an creative array of devices, gizmos and glamorous costumes. It has develop into a number one cult tv sequence with a faithful fan following. within the wake of 11th of September, Alias' subject matters of doubles and duplicity were completely put to touch upon international relatives and the non-public paranoias of put up Sept. 11 electorate. yet up to Alias displays modern international politics, at its center are issues of relations and relationships. The sequence is finishing with a bang in 2006 and this is often the 1st ebook to offer a close exam of the sequence in its entirety, with a whole episode advisor. Placing the sequence in the wider context of yank caliber tv and the secret agent style, members think of the vital function of relatives, race, gender and ethical ambiguity in Alias. in addition they specialise in the author, JJ Abrams, and speak about the advance and effect of the fan international past the sequence with in-depth stories of DVD releases, tie-in, fan and scale back fiction. Designed for lovers, enthusiasts of spies on monitor, scholars and students, Investigating Alias uncovers the secrets and techniques of a lovely express
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Extra resources for Investigating Alias: Secrets and Spies (Investigating Cult TV)
The spy genre, however, allows for considerably more ambiguity, and Alias – by fusing a wide variety of generic elements – successfully toys with this precept of the genre, in which the narrative arc always reaches closure. P. Davies’ novels that they constitute ‘. . fm Page 39 Tuesday, February 13, 2007 11:05 AM Endoscopic Spies 39 characteristic point of narrative interest’ (1999: 303). Alias, with its relentless two steps forward, one step back approach to story and character, has made the process of narrative evolution and disclosure central to its appeal, most notably in the inward pull the viewer can experience by the foregrounding of dreams, delusions and role play.
If we instead look to the works of Gitlin (1994), Nelson (1997) and Thompson (2003), we find a much stronger sense of history, where current developments in narrative are put into a context of commercial TV production that has not fundamentally changed since the 1950s. For all its narrative complexity, ‘neo-baroque’ TV is about characters, not narratives – at least from the point of view of the TV producers. fm Page 27 Tuesday, February 13, 2007 11:05 AM 2 Endoscopic Spies Mapping the Internal Landscape of Alias Sergio Angelini Knowledge kills action; action requires the veil of illusion Friedrich Nietzsche (1967: 60) Initially, the main narrative hook for Alias was what happened to American spy Sydney Bristow when she discovered that in fact she was really working for the enemy.
All of this points to the essential interchangeability of plot: it does not really matter where the narrative thrust comes from or how the various subplots are interlinked, as long as the characters are given the opportunity to express their core traits. An important part of the narrative suspense in Alias is generated by the emergence of new character dyads and triads and changes in the relationships between characters, and the narratives are geared towards expressing this. The character focus also increases over the course of the series.