By Jerry Kovarsky
The simple method to get keyed up at the keyboard
Where Piano For Dummies is helping budding musicians to grasp the black-and-white musical keyboard, Keyboard For Dummies is helping them comprehend the chances that spread whilst these black-and-whites are attached to cutting-edge track technology.
Keyboard For Dummies explains the ins-and-outs of contemporary keyboards and is helping you get the main out in their features. Key content material assurance contains: an outline of the kinds of keyboards on hand this day and the way they vary from acoustic pianos; professional recommendation on selecting the right keyboard in your wants/needs and the way to buy and examine a few of the types; an in depth examine the categories of sounds an digital keyboard bargains and the way to accomplish them; step by step guide on the right way to use keyboards anyplace utilizing exterior audio system, amps, domestic stereos, pcs, and pills; suggestions on easy methods to use keyboard software program and purposes to get the main out of keyboard know-how; and masses more.
A multimedia part for this name should be hosted at Dummies.com and comprises significant other audio tracks that exhibit strategies and sounds present in the book
step by step directions make studying keyboard effortless and fun
Introduces you to the musical probabilities of the keyboard
If you're new to the keyboard or trying to take your abilities to the subsequent point, Keyboard For Dummies is a radical consultant to the bits and bobs of this well known software.
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Extra resources for Keyboard For Dummies
I’m staring at the keyboard looking for the right combination of letters, numbers, signs, or symbols that might translate the sound let loose by Bon Scott at the end of “Shot Down In Flames,” the kickoff to side two of Highway to Hell. It’s tough enough ﬁnding language for the cheerful howl eleven seconds in. The funniest song on the album goes a long way toward self-satirizing the band’s macho posturing. It begins with a two-chord shoulder shrug of acceptance, an off-mike whoa! from someone, then a phlegmy whoop from Bon that sounds like a mental patient’s party invitation.
If you’ve been following the band up to this point, you’ll notice that the snare and hi-hat are much crisper, and mixed higher. The snare virtually rings, and the kick drum, playing off the silences left open in the chords, pounds straight into your chest. You feel that you’re in the room and, man, it sounds almost slick. Almost. Twenty seconds in and the stupidly simple four-on-the-ﬂoor groove is ofﬁcial and irresistible. Now the singer enters. He sounds wasted, he sounds like he’s drooling a bit, he sounds funny, he sounds completely unique, and you know who it is.
Because he believes this stuff, now so do we. The imagery in the second verse is more intimate; we’re in the girl’s bedroom now where she’s preoccupied and scared to turn off the light, fearing noises outside the window and shadows on the blind. Anticipating the second chorus, the verse ends with the singer slipping into her room as she lies nude, as if on a tomb. What’s going on here? Autobiography, or a spec script for a slasher movie? A little of both, likely, given Bon’s personal history and juicy imagination.