By Marc Scott Zicree
The Twilight quarter has captivated, teased and haunted the imaginations of numerous hundreds of thousands of audience from 1959 debut via its 156 next episodes and plenty of rebroadcast. This significant other is the full show-by-show consultant to at least one of television's all-time maximum sequence. Zicree's account of the sequence from inception to cancellation, via syndication and next offshoots and remakes, is interesting studying for even the main informal fan. insurance of every episode features a plot synopsis, severe statement, behind-the scenes tales and anecdotes from the unique artists who created the sequence, an entire checklist of forged and credit and over two hundred creation photos.
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The Twilight sector has captivated, teased and haunted the imaginations of numerous thousands of audience from 1959 debut via its 156 next episodes and plenty of rebroadcast. This better half is the whole show-by-show consultant to 1 of television's all-time maximum sequence. Zicree's account of the sequence from inception to cancellation, via syndication and next offshoots and remakes, is interesting analyzing for even the main informal fan.
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Extra info for The Twilight Zone Companion
Over a nine-month period, Serling produced twenty-eight o f the first season's scripts . These scripts fell into three basic categories : science fiction , horror, and fantasy-all employing the surprise twist ending which came to characterize The Twilight Zone . "I am writing faster now than ever before , " Serling said at the time . "Some of the plays 1 did for Playhouse 90 took me from six months to a year to complete . Each Twilight script took from thirty-five to forty hours . " Yet none of this was hack work .
Aired October 2 , 1 9 5 9 , a s the premier episode of The Twilight Zone . But the film that was shown that evening , and Earl Holliman 24 continues to be shown in syndication to this day, differed in several significant ways from the film that was shown to the sponsors months before-and all of these differences could be discerned within the first minute of the show. For one thing , the visual opening was different : images of galaxies dissolve into one another until finally out of a spiral galaxy, in heavy, seemingly three-dimensional block letters (a la every science-fiction movie of the 1 9 5 0s), the words "TWILIGHT ZONE" appear.
Most notable among these, at least to Houghton , was Mitchell Leisen , who had di rected, among many, many other things , the classic fantasy Death Takes a Holiday, starring Fredric March . To Houghton , hiring Leisen held a special importance. "Well , that was pure hero worship, " he explains . "When 1 was a kid at Paramount , he was making the biggest pictures in town-Fred MacMur ray-Barbara Stanwyck dramas , The Big Broadcast of 1 93 7 and 1 938 . Some way or another, he lost all his money, and he was a very merry, pleasant fellow who just said, 'Well , if they don't want me in pictures then the hell with it, I'll direct television .